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Slipstream Poets

 

 

 2010 West Sussex Competition

Results

                                  Winner & recipient of the Chanctonbury Cup

                                          Jean Harvey - Horsham - 'Night Crossing' 

 
                                               Highly Commended
                                                Violet Dench - Worthing - 'Death of a Russian Emigre'
                                                Shirley Elmokadem - Horsham - 'Hard to Swallow'
                                                Juliet West - Billingshurst - 'Architectural Beauty'
 
                                                Commended
                                                Juliet West - Billingshurst - 'Custard'
                                                Juliet West - Billingshurst - 'Wasps'
                                                Jean Harvey - Horsham - 'Buttons and Bows'
                                                Leonie Mansell - Horsham - 'The Shoes'
                                                Krystina Hollis - Horsham - 'Gorilla'
                                                David Slade - Littlehampton - 'Another Sigh'
 

                                                                  The winning poem                                  

                                                                   NIGHT CROSSING

                                                                   by Jean Harvey

                                                                    Long-ago nights
                                                                    when the moon and stars were set
                                                                    in a black glass sea becalmed
                                                                    and the cold hung wide
                                                                    to curtain off our corner of the world —
                                                                    no wind — no rain — no cloud
                                                                    and wakeful in my bunk —
                                                                    a child-size matchbox in the darkness below decks
                                                                    I listened — listened — listened out
                                                                    for the crack of frost tormenting an old tree —
                                                                    its naked mast and random rigging stiff
                                                                    crusted hard with ice.

                                                                    Uncounted phantoms walked a diamond plank
                                                                    I mapped their shadows — plotted other dreams
                                                                    but sleep remained an island too far off
                                                                    the waters inbetween deep-frozen
                                                                    and I could not thaw their grip.

                                                                    Each breath expanded sharp inside my lungs —
                                                                    drained heat away and left an ache —
                                                                    I shivered — shuddered — shrank beneath
                                                                    the weight of Mother’s best brown fur —
                                                                    the coat she’d thrown across me for more warmth —
                                                                    thick beaver lamb grown heavy as a coffin lid —
                                                                    it anchored — crushed me still as stone.

                                                                    A wall away I heard staid timbers move —
                                                                    a creak — a silence — followed by a groan
                                                                    and then the sound repeated — seeming more
                                                                    deliberate — gained momentum— its knocking grew
                                                                    becoming rhythmic — rowers keeping time
                                                                    their oars more urgent as the seconds passed —
                                                                    I heard the current slap — the plunge — the rasp
                                                                    of breath — the stifled yells not quite suppressed
                                                                    from under starchy sheets — before the thud —
                                                                    a hull hauled up a long-complaining beach.

                                                                    In the lull recovery was shushed
                                                                    to waves withdrawing — smoothing — turning round
                                                                    leaving rocks to dry alone — untouched
                                                                    I heard that silence lengthen — felt it stretch
                                                                    until their snores rose up like wheeling gulls
                                                                    throats hoarse as mourners at a private wake.

                                                                    *****

                                                                   These nights I drift and trawl a mill pond calm —
                                                                   where older skies allow each breath to leave
                                                                   a blameless vapour trail —
                                                                   some vague regret — one late unravelling of sympathy
                                                                   for those short crossings made in dead of night —
                                                                   and me the stowaway not meant to hear such things —
                                                                   too young for pity then — no sense of sacrifice
                                                                   or peace — uneasy — made at any price.

                                                                   For now — when darkness brings a bitter chill 
                                                                   that infiltrates — slowly seeps aboard
                                                                   through every crack — I listen — half afraid
                                                                   I’ve brought those echoes with me — packed the past
                                                                   in some salt-battered trunk stowed tight beneath
                                                                   whatever bed the weather finds me in —
                                                                   the fur skin tight across me with its smell —
                                                                   that fusty reek of Guards cheap filter tips —
                                                                   until the beat begins — the rock and roll
                                                                   of headboard against wall and grinding springs —
                                                                   the rub of wood and metal harsh with noise —
                                                                   the creak of oars across that sea — again.

Judith Cair has kindly provided the following comments on each of the poems listed above. Our sincere thanks to Judith for both judging and providing an insight into her thoughts about each of the successful submissions.

Slipstream Poets Competition: the Chanctonbury Cup

 

I was delighted to be invited to judge the entries for the Chanctonbury Cup this year; I have been greatly impressed by the standard of the poems which have been submitted and by the evident importance to so many writers of the medium of poetry, enabling them to explore their experience in depth and with imagination.

 

From such a strong field it has been only with difficulty that I have made my final selection. However, I have chosen a group of poems to commend for their combination of vigour and artistry. 

 

Commended 

 

Custard

For the vividness of the sensory experience contained within the poem and for the way in which a kind of folk rhythm is so naturally called upon to lead us to a startling conclusion.

 

Buttons and Bows

For the powerful act of imagination which presses imagery and syntax into its service, allowing a highly distinctive tone to emerge.

 

The Shoes

For the narrative impetus which never loses its focus, so that the subject is ever more vividly present as the poem develops. (This piece, I feel, contains the elements of a fine prose poem.)

 

Wasps

For the elegance of the writing in which two parallel tempos are suggested, one playing off against the other, to be resolved in the dreamtime of the final stanza.

 

Gorilla

For the empathic weight of the writing, particularly in the first stanza, where the reader is magnetically drawn towards a troubling encounter.

 

Another Sigh

For the delicacy of the writing which lead subtly into the central section, where the visual and the tactile combine so evocatively.

 

 

The next group of poems I would like to commend highly. I have selected these three poems because in each one I feel that the emotion expressed is finding its real, inevitable – and memorable – form.

 

Highly commended

 

Death of a Russian Emigree

This poem is alive with intelligence: it operates like an internalised dialogue arguing over presence and absence. Although I feel that the poet’s courage to experiment wanes somewhat in the last few lines, the main body of the poem, with its economy of counter-pointed form, is extremely suggestive.  

 

 

Hard to Swallow

This poem is as cleanly formed and leaves as distinct an imprint as its subject. There is an unforced naturalness of touch in the association of intense emotion with particular textures and tastes. The dramatic words which are spoken out loud, with their characteristically threatening rhythm, intensify the act of memory.

 

Architectural Beauty

This is an ambitious poem, not content to remain in the elegaic mood which it so skilfully evokes in the first three stanzas. The movement of the verse is extremely musical, especially when a single sensibility is being expressed. The writing loses its rhythm slightly as the poem attempts to introduce a further element; nevertheless, there is a hint of intractable authenticity about the ending. This is moving poetry.

 

 

 

 

Each of this final group of poems will remain with me as highly distinctive pieces of work, inviting me to return to them again and again.

 

However, I have to select a winner of this year’s competition; because of the excitement of

encountering both its power and its originality of imagination, I have chosen the following poem:

 

Winner

 

Night Crossing

This is an extremely powerful poem which impels the reader to join the poet in significant exploration. The energy of the poem is sustained throughout, with rhythm, syntax and imagery all working together to mine experience, in order to reach some level of understanding.

 

The guiding metaphor of the poem, which is first signalled in the title and is then vividly maintained in  each section, acts as a container for volatile material – but more, it points towards imaginative depths in which experience may be transfigured.

 

This is poetry which feels as though it had to be written and which as a consequence lingers long after the page is set down.